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The Long Draw

by Terry Lee Hale

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  • Compact Disc (CD) + Digital Album

    3 panel foldout digi-pak with 6 page attached folder which includes liner notes, lyrics and guitar tunings. Photographs by Franck Betermin (FR) and artwork and design beautifully done by Boštjan Pavletič (SI).

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  • Record/Vinyl + Digital Album

    Double gatefold 180g vinyl with song lyrics and guitar tuning located on inside panels. Photography by Franck Betermin and Boštjan Pavletič.
    Design - Boštjan Pavletič

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  • Full Digital Discography

    Get all 16 Terry Lee Hale releases available on Bandcamp and save 10%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Terry Lee Hale featuring Sugarfoot, Deaf Heaven, The Gristle & Bone Affair, Oh What A World, Tornado Alley, Leaving West, Old Hand, Frozen: A Selection of Live Solo Performances 1993-2000, and 8 more. , and , .

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1.
Long Draw 05:38
Long Draw People don’t know nothing anymore Can’t get it figured out Folks just wandering around Justify doing without Fighting over water A cool, clear, clean glass of water Mother Natures calling, calling Sending along her forget-me-nots With it comes a warning, warning But when have warnings ever been enough You cannot make a law And you can never make a law long enough Now spring has moved to summer Summer is into fall Way too much rain now Or not near enough at all We’re a long way from mercy And it’s a long damn way to fall Chorus: but if there’s hope in this house I’m going to find it If there’s hope in this house I’m going to rope I’m going to bind it If there’s hope in this house I want to get up inside it I want to magnify it I want to take a long draw We pruned ourselves trying to get even Playing chicken with the truth No matter what you’re hiding, holding Folks acting like they don’t know the right thing to do I’ve never seen nothing like it Militant ignorance and proud of it too Here-to-fore it’s been kettle scrape Run by mullahs, rabbis, preachers and priests They will fill you full of lead saying it and praying For the wrong kind of peace Danger, danger Chorus: If there’s hope in the house I’m going to find it If there’s hope in house I’m going to rope I want to ride it If there’s hope in this house I want to lie beside it I want to magnify it I want to take a long draw We still have got to earn our future We can’t be just treading time This is not just a backwater Where we can mosey easy going down the line And no matter how you call it These are strange days Surely they are counting times Chorus: But if there’s hope in the house I’m going to find it If there’s hope in the house I want to rope, I’m going to ride it If there’s hope in this house I want to lie beside it If there’s hope in the house I want to magnify it I want to occupy it I want to take a long draw Tuning: E E B E B D
2.
What She Wrote See the station agent come judgment day Adding up time and a price to pay Note the needful, works to find A seat for those deserving come leaving time Just a reservation needed is what I know There will be a seat for those that pay to go There’s not much here that I’m going to miss Maybe next place will be better then this Chorus: With the train steaming up getting ready to go You’ll want to be on board When it starts to blow Unlucky skill suffers idleness Get yourself a job and count yourself blessed Nothing complicated I like it that way Just do the paperwork, don’t complain Not many people can do what I do The shiny thing don’t shine like it used to You’ve got to care when the threads are few Or you’ll end up running with a skeleton crew Chorus Preservation polish, silicon breasts Life around here is chumming for sex Prospecting pleasure, imagination spice A freak show live every single night Too many secrets, not much free Most take what they can, more then they need Spend what they’ve got, living hog high Greedy little bastards you can see it in their eyes Put your back to the wheel Feel the load If you carry it alone It’s going to make you feel old I’m going to take my rest when the work’s done Time enough later to have my fun And at the end you just hope there’s luck left I learned the harder you work The luckier you get Chorus: With the trains steaming up getting ready to go You’ll want to be on board When she starts to moan, whining low None the never less it’s what it is And it comes to this, oh you’ve got to go With the trains steaming up getting ready to go You’ll want to be on board When she starts to moan, whining low None the never less it’s what it is And it comes to this, if you miss that boat That’s what she wrote Tuning: B E B E B E capo 2
3.
Black Forest Phone Call Seems the bombs are falling closer now Getting harder to keep away And I’m not joking when I say I know one has got my name An arbitrary selection, checkmark carefully placed No one really knows it Except on the naming day Or if you miss that connection Waiting on the mezzanine Might it mean more later That’s all she wrote, everything Chance, luck, grace Mixed up with faith Will you even hear the click That falls into place? And there you’ll be Tanned by glory Or at last above shame One step over, maybe remembered Not lost, moved on and got away Now I have got a number And I know just what to do I try to keep things steady Though I know I miss a beat or two It’s weary luck hurrah If they miss you with their right But we’ve all got scars Most wear them out of sight You can kill with kindness Sure if you speak the truth Or handed your card to turn in And don’t even have a clue And out so fast, mint newly, half undone Shadows fall, secrets spoken Uncallable name but not broken Just gone and got away Black Forest phone call Dry, cold day Dawning and broken Is he happy got away? Just another sound bite The bastards reason why A note writ loud there at the end Too tired to try Moved along, enough commotion Passed on by, turn the page Language done, lonely soldier A part of fortune Got away Tuning: E A D G B E capo 4
4.
The Sad Ballad Of Muley Graves Keys unlock the door Memories here, more Cardboard boxes filled Wonder why she kept them for? Old posters on the wall Nights I don’t recall Hell I don’t But all those years meant something Not much saved For here now, today But I don’t buy lucky charms Wonder why empty arms aren’t full And I know You just can’t hold it all Kitchen table, pale sun Used to think this was so fun, blessed But old disappointment hard to let go And not a lot to do on the weekends Church bells ring, miserable cold Can’t lie here, never could, won’t So you find a new life, try not to complain Life happens and you drift away You just can’t hold it all Railroad cars crash outside all night Her heart beats here, still, quiet That don’t change And everything it brings Summer, winter, autumn and always into spring But it’s some part of lucky, I can still sing The Wildwood Flower and know what it means Long days, rocky road Full speed but sure you know Sure you know Tuning: B E B E B E
5.
Three Days 04:20
Three Days Lonesome like a train Been off all alone Coming back around But wound down slow Aching in its heart Whining overload But she’s just a train and What’s a train know? Lonesome like the wind That blows through the pines Don’t matter where it goes Not even trying Cold as ice Cuts me to the bone But she’s just the wind and it’s how she blows Lonesome like the bird That cries through the night It’s the midnight service Sends shivers up my spine I wish she could I wish I might But she’s just a bird And she likes to cry Chorus: I hear them calling They speak my name And now I’m falling Three long days Lonesome like the call That goes down the line Nobody’s home And she wasn’t lying Let it ring once Let it ring twice Don’t matter Let it ring all night Lonesome like a train Lonesome like the wind Lonesome like a bird Lonesome is what if Chorus Tuning: D A D G A#D capo 2
6.
The Central 05:32
The Central Honky-tonk bar In the middle of a Square Central Tavern looking for a scene Fixing to go somewhere Brought around the Cape Horn bar Black-light room Jimi Hendrix posters on the wall Stage up in the back and the gloom Pitcher beer and a little boxed wine Burgers in the afternoon Rock and roll most every night Doors had to locked at two Mary worked the nights, George had to get the days Me I was Johnny-come-lately To Mike and Donna’s place I helped on the weekends Rock and roll nights and weekends I worked on the weekends Booking bands and working weekends Pioneer Square, Seattle, Washington Was a $20 date back in 1987 Mixed up crowd, winos at the edge Ronald Reagan was the president 10 or 12 bars for the upscale set But the Central Tavern was different then the rest A little bit seedy, an oddball nest To get in you had to pass the ID test Long old bar right there on your left Leaning brick walls, no one to impress She was a grand old lady, Stood alone in the W est She stood alone Essential bar One time and place Lucky me with a front row seat I’d have paid to been there anyway Northwest style meant rain And the music didn’t have a name We covered our heads when the winter rolled around Didn’t seem matter much anyway But she’s gone now And the weeds have grown Dogs sniff around But what do I know? Friends on, friends on Friends on the radio We got my friends on the radio I hear my friends on the radio Helped to get them on the radio Tuning: D G D G A D capo 5
7.
L.A. 9th & Grand White noise Sharpie, Garnet-Pinkie Dan Lined up there with Eddie and his backup Sam Don’t forget to bring the bank now Lynnie Be sure to tell Ann We’ll be set up down here by the parking garage At 9th and Grand Oh say can you see? I’m the pennywhistle tight-lip, with an apple crumble heart Two fisted tight-hipped, they gave me the name Little Fart Me and my friends living light out here, Just in from the Promised Land Mostly just trying to get along Doing the best we can Oh say can you see? I’m in charge of the gator bag out here and mostly we’re doing fine My cute little pinochle dumpling got the watch But I’ve got the time So if I say leave the light on Eddie We got to shake loose from this stand The profits I know are steady but The thumper is The Man Chorus: If you don’t run, you get nothing Come back later find something You want to fight? They ain’t funning Wonder why? Lessons coming Old don’t matter be the first to know Fresh air in your face getting on down the road LA 9th & Grand You’ve got to pull the plug and go! We tend to stay in our lanes out here Learned what happens when you don’t Of course you never really can be too damned sure Good fortune always follows what you won’t Tweezing life from these skinny little bones For 2 nickels to rub together They sure ask you take a whole lot of shit Just to stand out in sunny weather Oh say…. Money’s a magnate we all understand Poverty and pride are brothers Down here you can walk with anyone Later try and kill each other And maybe these streets are waiting to be plowed And the mare works better with a shuffle But the paperboy says “not much allowed and “if The Man comes by its trouble” Oh that’s the story Tuning: D A D G B D capo 2
8.
Gold Mine 07:11
Gold Mine Paris leaving Concarneau Guess it’s finally time to go Doesn’t usually take as long as this But could not avoid it Travel costs a fortune, can’t afford to stay Most of my work is east of here And that won’t change Even the ocean can get old Addicting yes and won’t let go Loving it as much as I do Won’t pay the bills and that’s the truth I don’t own a Gold Mine Marseilles leaving Paris It’s good to be heading south Not sure where I’m landing But I will find out Friends think I’m crazy Taking bets I’ll be back Maybe, there’s always maybe But I have got my doubts Two years here and I’m thinking Just what I miss And for sure if I do return I will afford it I will bring a gold mine Anywhere leaving Marseilles One ripple, no trace Take a good long look Help yourself I don’t care I’m getting out, moving on, going somewhere London, Amsterdam, Berlin, Madrid Consider the shape I’m in I’d even look at the Promised Land From here don’t seem so bad Weathers fine here it tastes like sin Accidental in the wilderness I hope she’s happy C’est la vie Me I’m waiting for a chance to be I’m going to be a Gold Mine Tuning: E G B G B E capo 4

about

Drifters and dreamers. The ne’er do wells and schemers. The hardhearted and the lonely. These are the people whose stories Terry Lee Hale tells on his new album, The Long Draw. A line worker hired on at a GM plant in Lansing has hopes for the future. In Germany’s Black Forest, a songwriter is pulled by the suicide of a friend. Down in Los Angeles, Little Fart tries to hold his crew together and keep one step ahead of life and the cops.

It’s living stripped to the bone, a travelogue of home movies that range across America and Europe. Pins on a map. For his 13th album, Terry Lee takes stock of our modern life in stories where all pretence is stripped away, where every breath and syllable is vital.

Working with producer Bob Coke (Black Crowes, Ben Harper) along with French-Basque musicians Nicolas Chelly on bass guitar and Frantxoa Erreçarret on drums, Hale recorded The Long Draw in 3 days at an analog studio near Rennes, France. The album has a spare, open sound. Space for each instrument. A place and purpose for each note. A visceral, unvarnished energy captured and magnified.

From Texas to Paris, by way of Seattle (he was the only singer-songwriter on the seminal 1988 Sub Pop 200 compilation), Terry Lee Hale is a man who’s traveled the roads and the years. And these songs are filled with the honesty and hard-earned truths of those times and places, sometimes tender (the yearning that fill “Gold Mine”), sometimes bleak (“The Sad Ballad Of Muley Graves”) or even brutal, as on “Three Days,” a long, hard look in the mirror after a 72-hour bender.

This is roots music. Not Americana or gospel, although there are traces of that on “What She Wrote,” a song that takes Terry Lee all the way back to his Texas boyhood and a little wooden Pentecostal Church of God. But the roots here are of life and love and of the past and the future. In the songs on “Long Draw” these roots have been patiently dug up and brushed off; their essence exposed.

“Long Draw” Is a masterful album of American songwriting. Terry Lee Hale has arrived at that hard-earned place where he can both look backward and forward, and he has given us a kaleidoscopic, musical travelogue that navigates these two perspectives insightfully and unsparingly.

credits

released October 14, 2013

Produced by Bob Coke
Mixed by Milan Cimfe, Mastered by Pavel Karlik at
Sono Studio - Czech Republic

All songs by Terry Lee Hale ©2013

TLH - 6 & 12-string guitars, Dobro, harmonica
Frantxoa Erreçarret - drums
Nicholas Chelly - bass
Martin Ingle - bass
Jon Hyde - bass, pedal steel
Jack Endino - bass
Glenn Slater - keys

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Terry Lee Hale Marseille, France

Currently a resident in Marseille, Hale has been releasing albums for more than three decades. Hale’s work is stubborn and transcendent of genres and deeply evocative in a way that only a true original can be.

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